Travelogue (7)—Latvian Song and Dance Festival

In 2013, I visited Riga for the Latvian Song and Dance Festival and became a big fan of this event. Every five years, Latvians all over the world come together for a weeklong celebration of their beloved folksongs and dances. The festival also embodies a spirit of solidarity among a people who survived a tumultuous and tragic history of foreign occupation.

 

My late father and his sister were Latvian WWII refugees who emigrated to California and Ontario, respectively. I never learned the Latvian language and am left to wonder what it would have been like to attend the festival with them, to benefit from their insights and translation. The Canadian version of the Latvian Song and Dance Festival is closer to home, so I made plans to attend.

My husband and I started our road trip to Toronto on July 4, making stops in Western New York on the way up and back. We had great accommodations, dining experiences, and sightseeing adventures. First stop, Keuka Lake. We stayed the night in this Airbnb cottage, clean and comfortable with beautiful surroundings. Our host was friendly and helpful.

 

Highlights: walks along the wooded lake’s edge, a visit to historic and beautiful Garrett Memorial Chapel, the best ice cream in New York at Seneca Farms in Penn Yan, and a perfect view of Independence Day fireworks all around the lake’s edge.

Garrett Memorial Chapel

 

Midday on the 5th, we left Keuka Lake and stopped in Naples, NY, for lunch at the Old School Café. Had a delicious meal, sitting outside under the trees with good shade from the hot day.

Then we hopped in the car for Toronto. Not much delay at the U.S./Canada border (Peace Bridge). On the Canada side, we zipped along for a while before the traffic on the QEW got horrendous. The last 50 miles to Toronto took forever. Friday rush hour? Or is it always like that? We got to our hotel at about 7 p.m. Hotel X.

A good choice. We explored two rooftop lounges with great views of the city and had a scrumptious dinner at the hotel restaurant, Roses Social. Our large, comfortable room presented only one challenge—how to work those strangely unique light switches? Took us a while to figure them out. The best feature was the high-impact water pressure in the shower.

Saturday, July 6, was a busy day. In the morning, I took Johanna Bergfelt’s contemporary dance class at the National Ballet of Canada. I’d “known” Johanna virtually for nearly four years, taking her online classes at home, so it was a delight to meet her in person and to dance her wonderful choreography in a huge studio.

Next, hubby and I had brunch at Fox on John. We bypassed the outdoor seating only because a flash rainstorm hit. Inside, we had mimosas, omelets, and fixings while watching a Euro 2024 soccer match between England and Switzerland. A lot of energy in the room!

Then, on to the Latvian Mass Choir Concert at Roy Thomson Hall.  The President of Latvia, Edgars Rinkēvičs, gave opening remarks. The stage was filled to capacity with singers, overflowing into the upper audience boxes on either side (this photo doesn’t quite capture all the singers on the sides). About 700 or 800, everyone in national costume. They performed dozens of folksongs in beautiful harmony, each with its own conductor.

 

My videos of the songs didn’t turn out so great, so here are links to a few good ones posted on YouTube by other attendees:  Lec Saulīte (Sun Rises) and Saule Pērkons Daugava (Sun, Thunder, Daugava [River]).

The concert ended with Pūt Vējiņi (Blow Winds), the song that closes every festival, with the audience singing and swaying along. Here is a video of Pūt Vējiņi at the 2023 Riga concert (40,000 singers in a huge amphitheater!)

Sunday morning the 7th we took the ferry to Toronto Islands, getting this view of the city skyline on the way there. A low flying airplane went directly overhead, coming in for a landing at the nearby Billy Bishop Toronto City Airport.

 

The several small islands are connected, making a large park with plenty of trees and white sand beaches on Lake Ontario. We started out on the westernmost island and walked for about an hour to the center island, where we caught the ferry back.

About halfway through our walk, a loud din caught our attention across an inlet to a small interior island. Hundreds of birds were circling or perched on denuded trees, squawking like crazy. Think Hitchcock’s The Birds. A man who had docked his boat nearby told us that the cormorant population is out-of-control, damaging the trees and environment. We were lucky the wind was blowing away from us, he said, because the noxious odor of their guano is overpowering.

Back in town, we found a great place for lunch a few blocks from the venue where the next festival event was to be held. We had delicious burgers and cold beer sitting in this outdoor patio at Pogue Mahone Pub & Kitchen.

Then it was on to the Latvian Folk Dance Spectacle at the Mattamy Athletic Centre, home of the Maple Leafs ice hockey team! No ice that day. 800 dancers of all ages filled the entire arena with joy and spirit, making intricate patterns with their dances. I made a short video from a few clips of different dances you can see here (Instagram).

Here’s a fuller recap on YouTube. At :45 seconds in, you will see a song near the end of the concert called Daugav’ Abas Malas (Both Sides of the Daugava River), where we all crossed our arms and held hands and sang along. (I’m in that audience somewhere!) Some of the lyrics translate as: “One language, one soul, one land that is ours.” And here is a video of the dance finale.

My favorite dance was by a group that won first place in the new choreography contest. I got most of it on my iPhone and posted it here, on YouTube. Really beautiful and fun!

The performance ended at about 6:30 p.m. and we headed back to New York. Again, the traffic was bad. The Google maps lady sent us to the Lewiston crossing, claimed to be “the best possible route.” We waited in line almost an hour before a customs agent waved us through. On the U.S. side, the highway is a lot prettier than the highway we took going north, through Buffalo.

We didn’t get to our hotel until about 11 p.m., a really nice place, the Chautauqua Harbor Hotel in Jamestown. It was built five years ago, everything spiffy clean and comfy.

In the morning, we visited with friends who took us on a tour of the Chautauqua Institution, a 750-acre community on Chautauqua Lake that hosts summer residence programs in music, dance, theater, and fine arts, among others, and holds events open to the public year round. You may recall that this is where author Salman Rushdie was attacked in 2022. After that, security was tightened and we needed a grounds access pass. There are many beautiful privately owned homes that can be rented, a historic hotel, studios, theaters, and so much more.

Of most interest to me would be to take the dance classes taught by visiting teachers, or to watch performances by notable dance companies. Alas, that will have to be another visit! We were tuckered out from all the excitement and long drive, so made our way back home.

Thanks for riding along! In other news, pick up my award-winning collection Your Pick: Selected Stories during my summer sale. A mere 99 cents in e-book for another week!

 

Gratitude and Curiosity…and a Post Script

My Royal Academy of Dancing certificates, faded and stained, hang on the wall near my computer desk. I see them every day, but like so many things in the home environment, they fade into the background and go unnoticed. Today I focused on them with feelings of gratitude—and curiosity.

The gratitude: For my parents

With seven children and very little money, they still found a way to give me ballet training. They knew how much I loved it. I lived for dance class, twice a week as I remember, plus rehearsals. Professional-level training should be daily, but that was something well outside the family budget. As a teen, with my own income, I added classes and somehow made it to a performing artist. Ballet, and later, jazz and contemporary styles.

Dance has stayed with me for more than 60 years and now I dance daily, either taking or teaching class. No other form of exercise includes all this: full-body strengthening, flexibility, stamina, and coordination; musicality, mathematical precision, and artistry; mental acuity and memory improvement; organization and discipline. Surrounded by other dancers in the studio, you absorb their energy and gain inspiration. You walk out of there feeling happy the rest of the day. An endorphin high.

Okay, you get it. I’m grateful.

The curiosity: Who were my RAD examiners?

My RAD certificates are signed by my examiners: Ruth French and Jean Bedells. I was a teenager when I took those exams. Like most teenagers, I lived in blissful ignorance of the backgrounds and daily lives of my teachers and elders. I knew next to nothing about the RAD examiners.

All I knew was this. The studio I attended in Oakland California was an affiliate of the Royal Academy of Dancing in England, whose president, Dame Margot Fonteyn (1919-1991), was the prima ballerina in a storied partnership with Rudolf Nureyev (1938-1993). In 1962, when Fonteyn considered retiring from the stage, she reluctantly agreed to dance with the Russian defector, who was 19 years her junior.

 

As it turned out, their unlikely partnership was magical and lasted for decades. Nureyev once said of Fonteyn that they danced with “one body, one soul”. Their last performance together was “Baroque Pas de Trois” in September 1988 when Fonteyn was 69 and Nureyev was 50; they danced with Carla Fracci, then 52.

Click here for a video of Fonteyn and Nureyev dancing the Swan Lake pas de deux on the Ed Sullivan show in 1965. Fonteyn was 46 years old. Gorgeous.

I digress. Back to my exams.

My training in classical ballet followed the RAD syllabus. Every two years, RAD examiners traveled from London to our studio in California. As I recall, a few students took the exam together. We wore a regulation outfit: black leotard and pink tights with a particular kind of skirt and headband. The examiner sat at the front of the studio and gave us the exercises and dance combinations using the French terms. What’s the difference between a “pas de bourrée dessus” and a “pas de bourrée dessous”? The words sound almost the same, but you’d better know which one the examiner wants you to do. Nowadays, when I teach, I call them “pas de bourrée over” and “pas de bourrée under.” So much easier.

In my recent search for information about my examiners, I couldn’t seem to find the “Royal Academy of Dancing.” Isn’t that the organization on my certificates? Mystery solved when I learned that the name changed to “Royal Academy of Dance” in 1999. Does “dancing” sound too pedestrian? Better to say “the dance,” pronounced like “the sconce.”

My elementary examiner was Ruth French (1903-1986). It was 1970, I was 16, and the lady from England seemed ancient. In fact, French was a year younger than I am now—and, of course, as you surely will say, I’m not ancient, or even very old (!)

French danced before the so-called birth of British Ballet, so she had to develop her own career. When touring, she advertised with her own publicity boards—like the one pictured above. She twice appeared in Royal Command performances and danced with Anna Pavlova in the 1920s. In a 1935 production of Swan Lake, young Margot Fonteyn and Ruth French were co-stars, Fonteyn dancing Odette (the white swan), and French dancing Odile (the black swan). French later became a respected teacher and an examiner for the RAD. In 1973, she received the Queen Elizabeth II Coronation Award.

My intermediate level examiner was Jean Bedells (1924-2014), daughter of Phyllis Bedells (1893-1985), who was a founding member of the RAD in 1920 and helped develop its first syllabus. Jean Bedells performed with Sadler’s Wells Ballet, the precursor to the Royal Ballet.

Here is a photo of her as a teenager in 1938. A list of Bedells’ performances includes a 1942 performance of Coppélia in which she danced the part of one of Swanilda’s friends. Thirty years later, in 1972, I danced that role in the RAD company I performed with in the East Bay Area, Dancer’s Theatre.

 

Here is another photo of Bedells from a performance of “The Quest” in 1943. Not sure, but I think she’s the one in the middle.

 

In performance, 1973, when I had enough hair for a bun

I never took the RAD advanced level exam. I was training for it when I decided to switch studios. In 1973, I joined Carlos Carvajal’s Dance Spectrum in San Francisco.

This is me on stage in Carlos Carvajal’s “Iridis,” to Ravel’s “Le Tombeau de Couperin.” Beautiful music and choreography.

I’ve enjoyed this little trip down memory lane, along with everything I learned with a little extra research. Now for a….

Post Script

Here’s a bit of news about my other passion—fiction writing!

As many of you know, the sixth and final Dana Hargrove legal mystery, Power Blind, was published in January 2022. A few years ago, the first four novels were combined into two e-book double sets, making them available at a discount and free to Kindle Unlimited members. Now the third and final “Dana Hargrove Double” (novels 5 and 6) is on pre-order, to be released February 17.

Here’s the real news. During the preorder period, all three double sets are priced at just 99 cents (regularly $5.99). All six novels, for pennies. So, load up your Kindle before February 17 for rainy day reading to come!

I’ve just finished writing a new novel (very different from the Dana Hargrove series), and I’m on a hunt for a literary agent. Wish me luck!

Ciao for now.