Travelogue (7)—Latvian Song and Dance Festival

In 2013, I visited Riga for the Latvian Song and Dance Festival and became a big fan of this event. Every five years, Latvians all over the world come together for a weeklong celebration of their beloved folksongs and dances. The festival also embodies a spirit of solidarity among a people who survived a tumultuous and tragic history of foreign occupation.

 

My late father and his sister were Latvian WWII refugees who emigrated to California and Ontario, respectively. I never learned the Latvian language and am left to wonder what it would have been like to attend the festival with them, to benefit from their insights and translation. The Canadian version of the Latvian Song and Dance Festival is closer to home, so I made plans to attend.

My husband and I started our road trip to Toronto on July 4, making stops in Western New York on the way up and back. We had great accommodations, dining experiences, and sightseeing adventures. First stop, Keuka Lake. We stayed the night in this Airbnb cottage, clean and comfortable with beautiful surroundings. Our host was friendly and helpful.

 

Highlights: walks along the wooded lake’s edge, a visit to historic and beautiful Garrett Memorial Chapel, the best ice cream in New York at Seneca Farms in Penn Yan, and a perfect view of Independence Day fireworks all around the lake’s edge.

Garrett Memorial Chapel

 

Midday on the 5th, we left Keuka Lake and stopped in Naples, NY, for lunch at the Old School Café. Had a delicious meal, sitting outside under the trees with good shade from the hot day.

Then we hopped in the car for Toronto. Not much delay at the U.S./Canada border (Peace Bridge). On the Canada side, we zipped along for a while before the traffic on the QEW got horrendous. The last 50 miles to Toronto took forever. Friday rush hour? Or is it always like that? We got to our hotel at about 7 p.m. Hotel X.

A good choice. We explored two rooftop lounges with great views of the city and had a scrumptious dinner at the hotel restaurant, Roses Social. Our large, comfortable room presented only one challenge—how to work those strangely unique light switches? Took us a while to figure them out. The best feature was the high-impact water pressure in the shower.

Saturday, July 6, was a busy day. In the morning, I took Johanna Bergfelt’s contemporary dance class at the National Ballet of Canada. I’d “known” Johanna virtually for nearly four years, taking her online classes at home, so it was a delight to meet her in person and to dance her wonderful choreography in a huge studio.

Next, hubby and I had brunch at Fox on John. We bypassed the outdoor seating only because a flash rainstorm hit. Inside, we had mimosas, omelets, and fixings while watching a Euro 2024 soccer match between England and Switzerland. A lot of energy in the room!

Then, on to the Latvian Mass Choir Concert at Roy Thomson Hall.  The President of Latvia, Edgars Rinkēvičs, gave opening remarks. The stage was filled to capacity with singers, overflowing into the upper audience boxes on either side (this photo doesn’t quite capture all the singers on the sides). About 700 or 800, everyone in national costume. They performed dozens of folksongs in beautiful harmony, each with its own conductor.

 

My videos of the songs didn’t turn out so great, so here are links to a few good ones posted on YouTube by other attendees:  Lec Saulīte (Sun Rises) and Saule Pērkons Daugava (Sun, Thunder, Daugava [River]).

The concert ended with Pūt Vējiņi (Blow Winds), the song that closes every festival, with the audience singing and swaying along. Here is a video of Pūt Vējiņi at the 2023 Riga concert (40,000 singers in a huge amphitheater!)

Sunday morning the 7th we took the ferry to Toronto Islands, getting this view of the city skyline on the way there. A low flying airplane went directly overhead, coming in for a landing at the nearby Billy Bishop Toronto City Airport.

 

The several small islands are connected, making a large park with plenty of trees and white sand beaches on Lake Ontario. We started out on the westernmost island and walked for about an hour to the center island, where we caught the ferry back.

About halfway through our walk, a loud din caught our attention across an inlet to a small interior island. Hundreds of birds were circling or perched on denuded trees, squawking like crazy. Think Hitchcock’s The Birds. A man who had docked his boat nearby told us that the cormorant population is out-of-control, damaging the trees and environment. We were lucky the wind was blowing away from us, he said, because the noxious odor of their guano is overpowering.

Back in town, we found a great place for lunch a few blocks from the venue where the next festival event was to be held. We had delicious burgers and cold beer sitting in this outdoor patio at Pogue Mahone Pub & Kitchen.

Then it was on to the Latvian Folk Dance Spectacle at the Mattamy Athletic Centre, home of the Maple Leafs ice hockey team! No ice that day. 800 dancers of all ages filled the entire arena with joy and spirit, making intricate patterns with their dances. I made a short video from a few clips of different dances you can see here (Instagram).

Here’s a fuller recap on YouTube. At :45 seconds in, you will see a song near the end of the concert called Daugav’ Abas Malas (Both Sides of the Daugava River), where we all crossed our arms and held hands and sang along. (I’m in that audience somewhere!) Some of the lyrics translate as: “One language, one soul, one land that is ours.” And here is a video of the dance finale.

My favorite dance was by a group that won first place in the new choreography contest. I got most of it on my iPhone and posted it here, on YouTube. Really beautiful and fun!

The performance ended at about 6:30 p.m. and we headed back to New York. Again, the traffic was bad. The Google maps lady sent us to the Lewiston crossing, claimed to be “the best possible route.” We waited in line almost an hour before a customs agent waved us through. On the U.S. side, the highway is a lot prettier than the highway we took going north, through Buffalo.

We didn’t get to our hotel until about 11 p.m., a really nice place, the Chautauqua Harbor Hotel in Jamestown. It was built five years ago, everything spiffy clean and comfy.

In the morning, we visited with friends who took us on a tour of the Chautauqua Institution, a 750-acre community on Chautauqua Lake that hosts summer residence programs in music, dance, theater, and fine arts, among others, and holds events open to the public year round. You may recall that this is where author Salman Rushdie was attacked in 2022. After that, security was tightened and we needed a grounds access pass. There are many beautiful privately owned homes that can be rented, a historic hotel, studios, theaters, and so much more.

Of most interest to me would be to take the dance classes taught by visiting teachers, or to watch performances by notable dance companies. Alas, that will have to be another visit! We were tuckered out from all the excitement and long drive, so made our way back home.

Thanks for riding along! In other news, pick up my award-winning collection Your Pick: Selected Stories during my summer sale. A mere 99 cents in e-book for another week!

 

Celebration! Birthday thoughts, mystery & suspense stories, cover reveal

 

It’s my birthday! Thanks so much for joining me in the celebration.

Is this a milestone of sorts? I’m not allowing the number and its associated labels to mess with my head. Today is another day full of wonder, delight, and possibility.

A day for reflection, to be grateful for a loving family, close friends, sound health, and the good fortune to be living in a time and place that affords women the freedom to work in artistic and intellectually stimulating fields. For me, that means law, fiction writing, and dance. Not necessary in that order and sometimes simultaneously!

Today, I’ll write about writing. So far, 2019 is a banner year for short fiction, both solo works and collaborations with gifted writers and editors. If you’re more interested in novels, stick around until the end of this article for news about my next novel and a cover reveal!

mystery and suspense storiesDzintra’s Tale,” now in the July/August issue of Ellery Queen Mystery Magazine, was inspired by experiences of my late father and late aunt during their exodus from Latvia in 1944 and subsequent years as displaced persons. Click here to read more on the blog Something Is Going To Happen, where I give some of my family’s history and the way it triggered my imagination in writing the fictional story “Dzintra’s Tale.” To readers who have been moved by the story enough to contact me directly, I thank you for sharing your personal stories of friends and family from the Baltics and WWII DPs.

The July/August EQMM issue includes stories by these fine writers, with whom I’m proud to share the pages (click on any name to learn more): Vicki Weisfeld, Richard Helms, S.J. Rozan, Trey Dowell, Michael Bracken, Marilyn Todd, Aoife Clifford, Peter Turnbull, Chris Holm, Brendan DuBois, Twist Phelan, Steven Hockensmith, R.T. Raichev, Takemaru Abiko, Tara Laskowski, Tony Fisher, and James Hadley Griffin. Thank you to editor Janet Hutchings and associate editor Jackie Sherbow of EQMM.

mystery and suspense storiesReleased in June, the anthology The Best Laid Plans, 21 Stories of Mystery and Suspense, includes my story “Sucker Punch.” I’ve lightened up on this one—just have fun with it!  In this diverse collection, each writer offers a unique twist on the theme suggested by the anthology title. Here are a few that really grabbed me: P.A. DaVoe’s “Gambling Against Fate” features a 14th century murder investigation with fascinating details about the legal system of the Ming dynasty, and Edith Maxwell’s characters in “The Stonecutter” are so well drawn I was fully immersed in their tale.

They’re all great. For no-spoiler summaries of all 21 stories, click here to check out Kevin Tipple’s review. And click on any name to learn more about the authors in this anthology: Tom Barlow, Susan Daly, Lisa de Nikolits, Peter DiChellis, Lesley A. Diehl, Mary Dutta, C.C. Guthrie, William Kamowski, Lisa Lieberman, Edward Lodi, Rosemary McCracken, LD Masterson, KM Rockwood, Peggy Rothschild, Johanna Beate Stumpf, Vicki Weisfeld, and Chris Wheatley. A big thank you to Superior Shores Press and editor Judy Penz Sheluk, who also contributed a story.

mystery and suspense storiesComing in September from Level Best Books, the anthology Me Too Short Stories, Crimes Against Women, Tales of Retribution and Healing. In my story, “No Outlet,” a woman haunted by memories of a long-ago crime is spurred into action on behalf of a younger woman in trouble. Here is what editor Elizabeth Zelvin wrote in her announcement of the anthology:

“What do women want? A voice. To be heard. Respect. To be believed. Justice. To be both safe and free. The women and children in these stories use the means at hand to protect themselves and those they love… These women are neither femmes fatales nor throwaway victims, nor are they the tough-talking, gunslinging superheroines at the shallow end of crime fiction. These stories, written by women, are about women and girls as strong, as vulnerable, and as varied as their counterparts in real life… In this anthology, you will hear their voices.”

In addition to yours truly, here are the voices you will hear (click on names to learn more): Lynn Hesse, Rona Bell, Ana Brazil, Ann Rawson, C.C. Guthrie, Carole Sojka, Dayle A. Dermatis, Diana Catt, Eve Fisher, Ginn Gannon, Julia Buckley, Julia Pomeroy, Madeline McEwen, and editor Elizabeth Zelvin.

Save the date! The launch party happens on the evening of Tuesday, September 24, 2019, at The Mysterious Bookshop, 58 Warren Street, New York City. Even if you can’t make this date, New Yorkers, be sure to visit The Mysterious Bookshop when you get a chance. It’s an amazing store! [Dancer friends, the store is only a few blocks from Gibney Dance!]literary, mystery, and suspense stories

Now, here is a big thrill I got in May. My collection Your Pick: Selected Stories, won the Eric Hoffer Award for Best Short Story Collection, and was also a Finalist for the Montaigne Medal. Your Pick benefits from the input of my readers over the years. Your comments and reviews helped me select the most-loved stories from my previous collections.

 

Last but not least: A Cover Reveal!

Coming January 2020, Seven Shadows, the fifth Dana Hargrove novel.

Isn’t this cover riveting? Kudos to my cover artist, Roy Migabon.

 

mystery and suspense cover reveal

In Seven Shadows, former prosecutor Dana Hargrove, now a trial judge in Manhattan, is presiding over a high stakes media case when strange things start to happen. Is someone watching her? In the fifth standalone suspense novel of the series, Dana and her family scramble to find out who is lurking in the shadows—before it’s too late.

If you are a blogger or reviewer, please contact me to request an advance reader copy. ARCs will be available in October! Woohoo!

Now, back to “work.” Even on my birthday. “Imagination is my refuge, conception and creation my delights.”

Thanks for reading.

[Attaching here #64Selfie. Didn’t get around to taking the #65Selfie yet.]

Proclamation Day of the Republic of Latvia

Latvian Flag

Today, November 18, 2018, Latvia celebrates the 100-year anniversary of its proclamation of independence. This does not mean that Latvia has enjoyed 100 years of freedom. Far from it. The story of Latvia is riddled with long periods of German and Soviet occupation. Freedom from Soviet rule was restored in 1991.

On Proclamation Day, and as we look forward this week to Thanksgiving, I am grateful for the freedom we have in the United States and am reminded that it should never be taken for granted. My late father, as a teenager, was a displaced person during World War II, when Nazi and Soviet troops clashed, literally in his backyard. My father, his sister, and their parents joined the thousands of Latvians who fled. I can hardly imagine the trauma of being ripped from your country, your home, and everything you know, to be a refugee, to make your way in another country, not able to go back. My experience of these events has been secondhand, through the stories of my late father and late aunt. I wish I had asked them more when they were still on this earth!

As I so frequently experience, my imagination takes hold of bits of fact, and expands and embellishes them until they explode into story. My story collection Your Pick, comprised of reader favorites from previous collections, opens with a reprint of “My Latvian Aunt,” a story that won an award and has garnered much interest over the years. I think this story is compelling because my late aunt’s voice can be heard in its pages. I incorporated bits of our conversations and wove historical facts about Latvia and WWII into the story. I did some of the same in a murder mystery with a Latvian protagonist that takes place during the Cold War. “Dzintra’s Tale” has been accepted for publication by Ellery Queen’s Mystery Magazine, and I’ll be sure to let you know when it appears in print!

Your Pick: Selected Stories, launches on November 23. Click here if you’d like to enter a giveaway on Goodreads for a free copy of Your Pick in e-book!

Lenin’s Harem: Book review, conversation with William Burton McCormick, and reflections on my Latvian heritage

For this installment of Fiction Favorites & Awesome Authors, I welcome William Burton McCormick to VBlog. McCormick writes suspenseful historical fiction of considerable depth and intelligence in beautiful prose. His works should be on your “To Read” list!

I was first introduced to Bill McCormick’s fiction when we shared the pages of EQMM’s August 2016 issue, which included my story, “Journal Entry, Franklin DeWitt,” about a Soviet ballerina who defected during the Cold War. McCormick’s story, “Voices in the Cistern,” takes us back to ancient times, 50 A.D., where a war is raging in the city of Chersonesus between the Romans and the Scythians. The setting for this edge-of-your-seat tale of thievery and murder is a most unusual place, inside a great, underground cistern containing the city’s water supply. I loved the voice and pace of this story and was impressed by the author’s handling of my favorite theme in fiction: moral dilemma. In my legal thrillers, prosecutor Dana Hargrove is often faced with impossible choices between her personal life and professional ethics. You won’t want to miss the moral dilemma McCormick poses at the end of “Voices in the Cistern”—it’s a real whopper!

McCormick chooses historical settings for his fiction, and his work is meticulously researched. He holds a degree in ancient studies from Brown University, an MA in novel writing from the University of Manchester, and has lived abroad for many years, experiencing firsthand the countries and cultures in his fiction. Here lies another reason I was compelled to read more of his work. A personal reason. McCormick has lived in Latvia for several years and has studied Latvian history extensively.

My late father, Gunārs Ķēmanis, was a Latvian WWII refugee. He lived in a displaced persons camp in Germany from 1944 to 1949 and emigrated to the United States, where he met and married my mother and became a successful engineer. His gratitude to the U.S. was manifested by his complete Americanization; he did not speak Latvian at home, and did not observe Latvian traditions or holidays. In retrospect, I believe this was a coping mechanism for wartime trauma—even after Latvia regained its independence in 1990, my father did not want to visit because of lasting bitterness over the Soviet occupation. Our family name was Americanized, removing the diacritical marks and changing the spoken emphasis from the first syllable to the middle syllable, and my surname did not take on the feminine declension. (In Latvia, it would be written this way: Ķēmane). Conversations with my father and late aunt gave me secondhand knowledge of the Latvian wartime experience, some of which is woven into the stories “My Latvian Aunt” and “Stolen Afternoon” in my collection Dust of the Universe. I’ve also included a second-generation Latvian in my upcoming novel, the fourth Dana Hargrove legal mystery.

McCormick’s short story “Blue Amber,” set in 1910, and his novel Lenin’s Harem, spanning 1905-1941, are works incorporating Latvian history and characters. “Blue Amber” was a Derringer Award finalist in the category of long story. Here, the author pits the protagonist, a Latvian political prisoner, against impossible odds, likely death in either of two ways: at the hand of his Russian captors or in an escape attempt through the frigid waters of the Baltic Sea. This compelling and suspenseful tale kept me turning the pages.

McCormick’s novel Lenin’s Harem vividly portrays the traumatic events spanning the years from the first Russian Revolution in 1905 through WWI, and the Latvian declaration of independence in 1918 through the first Soviet occupation of Latvia at the beginning of WWII. The story is told from the point of view of Wiktor Rooks, a Baltic-German from a wealthy aristocratic family. The action starts with a Latvian uprising against the landowners when Wiktor is a young boy. His family loses the estate. Wiktor becomes a career soldier and ultimately joins the Red Latvian Riflemen, nicknamed “Lenin’s Harem.” As the novel progresses, Wiktor finds more distance from his aristocratic roots, loses his prejudices as he forms personal relationships with Latvians in his regiment, and falls in love with a Latvian woman, Kaiva, who believes in communism. The novel contains impressive insights into relationships that are fraught with conflicting societal and political tensions. One of my favorite scenes is the dinner party where Wiktor introduces his fiancée Kaiva to the family. All is going reasonably well, the family almost accepts her, when a family member mentions that he has petitioned the League of Nations for the return of the family’s land, “illegally seized” by the Latvian government. Idealistic Kaiva innocently professes puzzlement: “Your life seems more than comfortable. Why do you need more?” She observes that their land, which once supported a single family, now supports several Latvian families: “It’s simply a better use of the land.” Who could argue with that? Well, the insult is ultimately tempered somewhat when Kaiva is asked to consider how she felt when she was thrown from her home and became a refugee, causing her to admit that the loss of home is traumatic, no matter what the reason.

If you enjoy historical fiction, tales of war and revolution, political intrigue, psychological suspense, action, family saga, or any of the above, you’ll find it all in Lenin’s Harem, along with a tender love story, all packaged in beautiful prose.

And now, I’ll let Bill McCormick tell us what went into the creation of this superb novel.

Welcome to VBlog, Bill! I find it fascinating that you have chosen to live abroad for years at a time to write historical fiction about the countries you are experiencing firsthand. What led you to make such a dramatic life choice, and what led you to choose Latvia, in particular?

I have always wanted to travel, and I have always wanted a creative occupation. I’m sure those aren’t unusual traits in a writer. Merging them was always a long-term goal for how I wanted to live my life.

Bill at the monument to the Red Latvian Riflemen

As for my interest in Latvia, I was living in Alexandria, Virginia at the time and working on an outline for a sort of generic spy thriller I had dreamed up. In researching a setting for this story, I went to the Latvian Museum in Rockville, Maryland, and bought several books on Latvian history. I was moved about what I learned. I had little knowledge of the cruel events that occurred there. Because of the World Wars, Russian Revolution, Russian Civil War, Holocaust, Soviet deportations to the Gulag, and the exodus of the Baltic-Germans, Latvia lost more than a quarter of its population during the first half of the twentieth century. And I found tragic irony in the story of the Red Latvian Riflemen, who rescued the Bolsheviks time-and-time again and were key in the formation of the Red Army, only to be murdered by Stalin in his purges. After reading this, I ripped up my plan for a spy thriller and decided to write a serious historical novel. At the time, there was little information available on the internet on this era in Latvian history, and what was available was usually in Russian with a decidedly Soviet perspective. So, with a detour through Manchester, England to learn the writing craft, I moved to Latvia. I did not want to depend on third or fourth-hand sources. I wanted total immersion to see the places, the culture, and do the research myself. I arrived in Rīga, knowing no one, without a job, apartment, or command of the language, but determined to write a book that would illustrate to the English-speaking world what happened in Latvia in the twentieth century. I worked with historians, museums, archivists, and interviewed survivors and family members of some of the later events. It quickly went from a novel to a very personal experience. I have since lived in Russia, Estonia and Ukraine, but Latvia, and Rīga in particular, is still the place I think of as home outside of the United States.

I was surprised by the reception the novel received from the Latvian community. I spoke about the book and the history behind it at the Latvian Embassy to the United States in January of 2013. The Latvian Museum, where it all started for me, was kind enough to host a book event. Zvaigzne ABC, Latvia’s largest publisher, published a Latvian-language edition which did quite well, and the book was included in the permanent library of the Latvian War Museum in Rīga. As a foreigner, writing about the history of another nation, I continue to be amazed at the book’s acceptance. It’s still the thing I’m most proud of in my career.

The novel also was well-received in the English-speaking world. Former Senate Majority Leader, Harry Reid of Nevada, sent me a note saying he enjoyed Lenin’s Harem so much he read it twice. Gregg Popovich, head coach of the San Antonio Spurs, liked it enough to send me a bottle of wine. Good word from all quarters.

Lenin’s Harem spans the years from 1905 through 1941. During this period, like many in its history, Latvia was a pawn in an endless struggle for control by Germany and Russia. The protagonist of the novel is Wiktor Rooks, a Baltic-German who grew up in a wealthy family that owned land in present-day Latvia, worked by Latvian servants. What led to your decision to tell this story from the point of view of a Baltic-German rather than a Latvian or a Russian?

When writing Lenin’s Harem, I was aware that my readership would likely be unfamiliar with Latvian history, culture and their way of life in the early twentieth century. By creating a protagonist who is an outsider to that society, it allowed me more naturally to explain things to the audience within the narrative. As I too was an outsider, Wiktor’s discoveries and observations could to some degree mirror my own. Or contrast my own in interesting ways. And, of course, as a wealthy Baltic-German, the character is right in the middle of all the conflicts of nation, ethnicity, and class, as society radically changes during the upheavals of the era.

The characters are tugged in many directions by conflicting forces: social, nationalist, political, ethnic, familial. There’s also just plain survival at work, the need to adapt to the current regime. Rooks is Baltic-German, yet he ends up fighting for the Russians and falling in love with a Latvian woman, Kaiva, who believes in communism. For a modern-day reader from a stable country like the United States, it may be difficult to imagine why a Baltic-German would end up fighting for the Russians. Can you comment on some of these conflicts?

Historically many Baltic-Germans living within the Russian Empire were officers in the Tsar’s army. The first sons of aristocratic families managed the estates, but the second and later sons needed something to do. It was common for this class to end up as professional soldiers. But, during the World Wars, of course, this meant fighting other Germans. So, here we have an interesting conflict for Wiktor, one that creates mistrust with both the Russians and the Latvians. And then when the Bolshevik Revolution occurs, with its intrinsic class warfare, Wiktor’s aristocratic past puts him in even greater peril. There was a lot I could do with such a character. Wiktor begins the novel with the racist and classist views common to wealthy landowners of the time. But as the novel progresses, those prejudices fall away as he meets new people and experiences tragedy and triumph in the company of other economic and ethnic groups, particularly the Latvian soldiers he learns to survive with. By the middle of the novel his love for the revolutionary Kaiva is plausible. His character arc happens in logical steps, taking Wiktor into worlds he could never have imagined at the beginning of Lenin’s Harem. I think this is what makes him a compelling character.

The novel takes us through the beginning of World War II, during the Soviet occupation and the so-called “Night of Terror,” June 14, 1941, when the Soviets deported thousands of Latvians. In the ending scenes, the Soviets are retreating again, on the eve of a new period of German occupation, 1941-1944, and the future of the protagonists is left to the imagination. I love the ending of the book, the combination of hope and self-determination threatened by a grim reality. Are you planning a sequel to let us know how Wiktor and Kaiva fared? What is your current project?

 I have very rough drafts of two more novels that extend the story through days of the Forest Brothers who resisted the Soviet occupation in the Kurzeme and Latgale regions of Latvia until the early 1950s. I hope to revise those at some point. There is more to tell of Kaiva and Wiktor, but for now, the ambiguous nature of their fate gives Lenin’s Harem an appropriately uncertain ending for what were definitely uncertain times.

I am currently finishing a modern thriller set predominantly in Latvia called KGB Banker, co-written with John Christmas. John is a very brave man, a whistleblower against the Russian mob in Latvia and elsewhere. Many of his experiences have inspired our story of a Latvian-American banker who takes a job in Rīga, only to find himself embroiled in murder and an international conspiracy to destroy the Western economy and re-establish the borders of the Soviet Union. High octane stuff.

One of the key characters in KGB Banker is a Latvian journalist named Santa Ezeriņa. Santa is a popular character of mine, having appeared in Alfred Hitchcock Mystery Magazine, Over My Dead Body, and the story “Matricide & Ice Cream” which is about to be published in the United Kingdom in the CWA Anthology of Short Stories: Mystery Tour by Orenda Books. People are always trying to kill poor Santa but can never quite do it. She’s a damn tough heroine. I’m looking forward to having Santa in her first full-length novel.

After KGB Banker is finished, former U.S. Senator Harry Reid and I are planning to write a true crime western set in our mutual home state of Nevada. That ought to keep me busy through 2020 or so.

We look forward to your next novel, Bill! Thank you for this insight into your work and Latvian history.

 NOW, dear reader, where can you get Lenin’s Harem and short stories by William Burton McCormick? Click the links! Lenin’s Harem (ebook) (hardcover)Ļeņina harems (ebook in Latvian) (print book in Latvian)Blue Amber (ebook); August 2016 issue of EQMM; upcoming CWA Anthology of Short Stories: Mystery TourSanta Ezeriņa story “Hagiophobia” in AHMM.